Tools I built for myself that were too good not to share.
Edit any clip in Melodyne, Revoice Pro, VocAlign or RX without leaving Ableton. It comes back on the same track, in the same place.
Note-by-note tuning inside Ableton. Non-destructive.
AudioSuite style workflow now in Ableton! Controls live in a floating window over Live, and VocAlign is hosted inside the device. Works with Revoice Pro 4 and 5, and VocAlign 6 Standard.
Hand any clip to iZotope RX, WaveLab, or anything that saves a WAV. And back.
Same track, same place, same clip gain. No resampling. Your original stays on a take lane.
Map every button to a key. Slots 3 and 4 also get a floating window.
Ableton Live 12.0.5 or newer with Max for Live, macOS only. One tempo and one time signature — a set that changes tempo gets described wrongly, so the editor's grid won't line up. Your audio is unaffected, and this is the next big piece of work. No third-party licences are included: own and activate your editors first, or one can stop on its own licensing window and look like AbleSuite Pro hanging.
Please watch this video before purchasing
AbleSuite Pro — the device, and its Melodyne & Revoice Pro windows
Writes chords into Live — triads, 7ths, sus and borrowed — named and colour-coded to the key.
Pick a root and Major/Minor. The seven buttons relabel and recolour to that key.
The whole set — triads, sus2, sus4, 7ths and borrowed chords, all in your key.
Drop chords at the Arrangement playhead, or write them into a selected Session clip slot.
Each chord advances the insert point by one clip length. Click I–V–vi–IV and it lands in a row.
1/4, 1/2, whole, 2 or 4 bars. Note values are fixed, so they stay signature-independent.
Five palettes: Pink Purple, Autumn, Sunset, Ochre Blue and Terracotta Teal.
Chord Chart — the expanded palette, and the device
Uses outboard hardware as an insert on a DAW track, time-aligned.
Measures the round-trip delay through your hardware and aligns the return automatically.
Manual alignment adjustment down to the single sample.
Input and output gain to your hardware, in dB.
Polarity invert and Stereo, Mid/Side or Mono modes on the return.
Blend against a delay-matched dry copy of the signal.
Send and return level meters, and saveable named presets.
Hardware Insert — Pro Tools (AAX)
Generates SMPTE LTC (Linear Timecode) as WAV files.
23.976, 24, 25, 30, and 29.97 drop-frame and non-drop.
8, 16, 24 or 32-bit PCM at 44.1, 48, 88.2 or 96 kHz.
Set the start timecode and file length as HH:MM:SS.
Render multiple files at once by count, length and start-time interval.
Adjustable output level, default −10 dBFS.
LTC WAV Generator — Standalone